There is only one thing disappointing about the Astoria Megler Bridge: there’s no place for pedestrians. I guess it would be expensive to add a pedestrian walkway to a bridge that spans over 4 miles, but the views from the bridge stretch over the bay to the distant mountains in Washington and back to the South in Oregon. Plus, the pelicans and gulls fly over the bridge at eye level. It would be a great place to shoot.
I decided to try shooting through the windshield. I have a lot of experience shooting through car windows–one of the sadder ironies in life is that wildlife tends to be more afraid of humans walking in the woods than of cars racing down a freeway, often to their own demise. This leads to me trying to capture images of moose, elk, bears, etc through car windows more often than on foot.
On the positive side, I have learned a few tricks. First and always applicable, get as close to the glass as possible. This puts all the crap stuck to the glass completely out of focus so it doesn’t show up in the photos (the spots in the last image are actually birds that were flying too fast to be in focus).
Second, if you can’t roll down the windows and stick your head out, shoot through the front windshield if you’re shooting wide angle. There is just nothing appealing about a composition that looks like this:
Third, if you’re shooting with a long lens, it’s easier to shoot out the side window, but watch for the blasted rearview mirror. Shoot tighter, sit cross-legged to get up higher in your seat, roll down the window and prop the lens on top of the rearview mirror (not recommended in a rapidly moving vehicle). Do something to get that mirror out of the frame.
Fourth, don’t forget about reflections. If you have a polarizer, you might be able to get rid of them that way. Unfortunately, sometimes you have to live with them (like in the first photo in the gallery).
Fifth, if you’re shooting though the windshield of a car going 50+ MPH down the road and you’re trying to get lots of depth of field, you can focus on whatever spot is in front of the car and then shoot, even though the spot you just focused on is gone by the time you push the button.
Finally, if you are shooting while the car is in motion (hopefully because someone else is driving it), remember that the speed your moving affects the shutter speed you want to use, depending on whether you want sharp or blurred images. Oh! I just had a great idea for shooting the drive down the far side of the bridge (yes, I just smacked myself in the forehead since I am not planning to be back in Portland again for a year).