Slow the Circles Down

If you have read some of my earliest posts, you may recall that I have issues with going backwards.  I arrange my life around maximum efficiency whenever possible by minimizing repetition, back-tracking, and wasted motion.

There are some consequences associated with this.  For one, I tend to focus on the goal and not on the journey.  The very physical consequence is that I frequently run into things.  I think this may also serve well as a metaphor.

Another consequence is that I often move on completely and usually without regret.  Been there, done that.  I’m over it.  Time for the next adventure.

But every once in a while, something sticks and I don’t mind going back to it over and over.  The Tennessee Aquarium is one of those things.  Every time I go, I discover something new.  Someone is awake who was sleeping last time.  Or the absence of someone else allows me to see others for the first time.  And there are certain exhibits I never tire of.  I have to refrain from block tackling all the small children at the display where you can touch the stingrays–the darn kids are always in my way.

When it comes to shooting at the aquarium, it remains a challenge.  Trying to shoot through glass is always an interesting proposition.  Between the distortions and the bright reflections in the glass, the dim lighting, and the movement of the creatures, it’s a wonder anyone ever gets a shot of anything.

Using a flash helps if you have the right angle.  I admit I love watching people with their little automatic point-and-shoots standing directly in front of the glass and getting frustrated when the image they get is the flash bouncing off the glass.  In my defense, I only get a chuckle out of this because they’re usually doing this right in front of a big sign that says “NO FLASH PHOTOGRAPHY.”  It just seems like karma.

I, however, usually opt for no flash in the aquarium.  This is for several reasons.  First, I’d rather end up with blurry pictures than disturb the animals (anymore than they are already being disturbed).  Second, I still pretty much suck at using a flash.  And finally, I really want to set the flash up off-camera, but that doesn’t work well in a crowded aquarium.  Try to imagine me carrying my umbrella stand around and yelling at small children when they bump into it.  Does not make for a good time.

But, when we took Pat’s family there during their visit, the otters decided to make an appearance.  I find it fascinating when looking at the otter shots that the otter moves faster than the water.  Where the water splashes are frozen, the otter blurs.  None-the-less, I couldn’t help but share my blurry, badly framed shots of the otter doing a back flip.  That was just too adorable.

Maybe next time I’ll catch a stingray jumping out of the tank.

New Sight

Ever since our first weekend visit to Chattanooga a year and a half ago, I have wanted to peruse the Hunter Museum of American Art.  The building itself has appeared in many of my photos.  Perched high on the bluff overlooking the Tennessee River next to the Walnut Street Bridge, it’s a place I have walked around many, many times.

I just haven’t made it inside.

But, with temperatures rising into the 100’s in time for Pat’s family to arrive in Chattanooga and an enticing exhibit called Sound and Vision:  Monumental Rock and Roll Photography, it was clearly time to go.

I would love to have access to shoot the interior of Hunter Museum when no one is there.  As it was, tripod-less and hurried, I didn’t do the architecture justice.  Photos of the photos were not permitted, but it’s just as well.  The photos in the exhibit should not be reproduced by taking crappy pictures of them hanging on the wall.

I wanted to spend hours absorbing each of them.  So many of the muscians I had come to know and love were so artfully captured.  I wanted to know why.  Why was each image so uniquely powerful?  I looked at each photo going through a portrait photographer’s checklist:  eyes lit well, subject framed with rule of thirds, soft light, subject fills frame, etc, etc.  Every image violated at least one if not many of the “rules” of portraiture.  I’ve suspected as much.  If you want an interesting portrait, you’ve got to do something different.  I can’t wait to go back when I can sit and absorb some more.

We moved on through the permanent exhibits in the museum, including those in the historic mansion portion of this building.  Once again, I wish I had the opportunity to do the architecture justice.  I’m not always a fan of deconstructivist architecture (except for the inherent irony in the term), but somehow the juxtaposition of the historic mansion against the ultra-modern section works.  Apparently the ultra modern section was designed by a student of Frank Gehry (according to an employee of the museum).  There is certainly a resemblance in the style.

Later that night, we went up to Lookout Mountain to celebrate Pat’s 50th birthday.  I’m now married to a 50 year old.  It bothers him, not me.  Pat’s sister was supposed to join us, but having missed her flight from Denver, she didn’t arrive until after dinner.  We took Pat’s parents to Point Park before she arrived and then ended up back there again first thing the next morning.

An interesting comparison in the photos (at least to me):  I was shooting with my 16-35mm lens in the evening shots and with my 100-400mm the next morning.  I managed to get a shot of our building at 400mm.  It doesn’t make a very good image with the morning haze, but it still blows my mind that we can see our building from Point Park.

When Wrong Goes Right

We have been taking a break from hang gliding for several months now.  It’s one of those things–first we were taking a break so our knees could heal.  Then, Pat started working every weekend getting his new guitar-building business going.  All work and no play was getting old.

Then, when Pat’s family came to town to celebrate Pat’s milestone birthday with us, we managed to talk his sister into going for a tandem flight.

Talking someone else into doing a tandem flight is different from deciding as a couple that it’s something you want to do together.  There is a completely different sense of responsibility–probably heightened by the fact that this was Pat’s baby sister (never mind that she’s now in her 30’s and more than capable of making up her own mind).  While I felt obligated to make her aware that there were risks, I didn’t want to scare her out of it because it’s one of those experiences you keep for a lifetime.

As we headed out to the mountain for Pat’s sister’s flight, I had one of my mental glitches that caused me to take us completely the wrong way.

As we drove as fast as was allowed in the wrong direction on a lonely 2-lane highway, we spotted a large dog staggering toward us in the middle of the lane.  We also noticed it had a collar, so we swerved around it and started looking for houses, assuming its home had to be close–it was barely able to walk.

Pat’s sister immediately wanted to stop and pick up the dog.  I think we were all thinking the same thing, but we didn’t want to steal someone’s dog.  As luck would have it, we soon realized we were going the wrong way and needed to turn around.  By this time, we realized there were no houses in the vicinity and there was no way that dog had gotten there on its own.

When we got back to where it was, it had collapsed in the middle of the road.  We blocked traffic with our car, got out Tisen’s water bowl and gave the dog water.  Then, we managed to urge it to get into our van, although Tisen wasn’t so happy about sharing his ride.

Since our safe-harbor dog shelter didn’t open for hours, we went ahead and took Pat’s sister to the flight park.  When we finally got Pat’s sister signed up for her flight, we asked if anyone wanted a dog.  It looked like a poorly bred Mastiff.  Her hips were so bad, she could barely walk.  She was dirty and smelled like she’d been lying in poop.  She had ticks and probably fleas.  We were certain she’d been dumped.  No one was interested.

Pat’s sister took her flight full of joy knowing that the dog was safe. She said the tandem flight was 2nd to rescuing the dog on her list of things that made her trip.  She wasn’t alone in her thinking.

On the Subject of Cooking

On the subject of cooking (which, believe me, I will have nothing more to say about after this), as I was digging through old photos for evidence that I can cook, I stumbled across this series of action shots.

My nephew, already a better cook than me by the time he was 10, was having a birthday and I just happened to remember that I’d seen the perfect recipe for his birthday cake. It was a cat-box cake.

Given my nephew was a big fan of those nasty jelly bellies that came in favors like vomit and boogers, I figured the cat-box cake would be quite the hit. He got very excited about the project.

My sister-in-law, always a good sport and often an instigator, got fully behind the plan to serve a cake that looked like a cat box desperately in need of a cleaning. She even went to the store and purchased a brand new litter box and scoop for the purpose of adding authenticity.

Then, my nephew, with me reading the recipe to him just so I could feel like I was helping, proceeded to grind ginger snaps and sugar cookies to make the “litter,” mixing some with green food coloring for the “fresh crystal” look. Then, the crumbs were mixed with pudding to make them moist and hold it all together. After assembling the whole thing, the coup de GRAS was the tootsie rolls warmed in the microwave enough to allow them to be formed into a disgusting “plop” shape.

When my nephews friends finished dinner and at long last were ready for dessert, my sister-in-law made an offhand comment about needing to change the litter box and headed back toward where the real cat boxes were kept. She had cleverly hidden the cake in a very separate place that was in the same general direction. Then, much to the boy’s shock and dismay, placed the fake cat box on the table.

Everyone stared, clearly with wheels rapidly turning, trying to figure out why Megan had just set a dirty litter box on the table. They’re bright boys–they suspected some kind of joke.

Eventually, it became clear to all that this was not a cat box at all but an actual, edible dessert. Then, the boys all dug in, taking great joy in being as disgusting as possible while eating the offensively shaped tootsie rolls.

I was my nephew’s favorite aunt for at least half an hour.

I took pictures of virtually every step of the process. My nephew hammed it up for the camera, too. But the shot I love the most is of my nephew gnawing on a disgusting looking chunk of tootsie roll that has cookie crumbs stuck all over it. I guess it’s true about what they say when it comes to photography: in the end, it’s not about the exposure, composition, or number of pixels. It’s about the moment–even a disgusting one.

Yes, I Can Cook

After many days, weeks, or maybe even months of pleasantly letting trivial little disagreements slide by, suddenly some little nothing seems so important that we go to great lengths to prove we’re right.
Pat and I recently had a conversation that started when a new acquaintance offered to give me a recipe even though Pat was standing right next to me.

Later, when we chuckled about how often people erroneously assume I would be more interested in a recipe than Pat, I felt the need to remind my husband that I used to feed myself quite well. The conversation went like this:

“I can cook!” said I.
“Since when?” said he.
“I used to cook all the time.”
“Honey, what you did is called warming ingredients. You can’t really cook.”

I, who take great pride in my grilled cheese masterpieces as well as my incredibly fluffy scrambled eggs, decided I was going to have to dig deep to find photographic evidence that U have more than basic warming skills.

Thankfully, the first Thanksgiving after I got my trusty old PowerShot G3 was also the first (and last) Thanksgiving we invited Pat’s family to our house and I did the cooking.

Some may argue that having to go back 9 years might seem more like evidence that you can’t cook (especially since no one came back). However, I contend that everything in that meal was delicious, from the assorted cheeses and crudités for starters to the perfectly roasted turkey, to the freshly baked pumpkin pie. Oh, wait, Pat’s mom made the pie. And probably the stuffing. Pat made the mashed potatoes. But I, and I alone, made the turkey, the gravy, the green bean casserole, the vegetables, and the sweet potatoes.

Huh.

Funny thing . . . I just realized I really did just heat all the ingredients. Don’t tell Pat.

As I was looking at the photos, I recall seeing a show on photographing food. I believe it was actually a show on careers and the career was “food make up artist.”

The food make up artist demonstrated making a fast food burger look good. It was quite clever. She was required to use the same portion of food as is actually used to make the product we buy. However,she kept the burger looking huge by simply searing it just long enough to turn it brown, but not cooking away the fat, keeping it from shrinking. Then, she split it in the back so she could spread the burger out to fill out the front. By shooting at a low angle from the front, the burger not only looked bigger, but all the stuff she’d dome to make it look that way was completely out of sight.

Explains a lot about those fast food burgers.

I think my turkey might not look so appealing because it tasted good. To make it really beautiful, it would have had to have been raw inside.
That’s my story and I’m sticking to it.

Shots Not Fired

There are so many things to do within an hour’s drive of Chattanooga.  It’s hard to imagine ever running out of new things to show people.  However, it’s a little different when you’re thinking of things to do with children.

On day 3 of our friends’ visit, I recommended we go where there were cannons.  After all, if there was one thing that fascinated the four-year-old, it was guns.  The bigger the better.

When we arrived at the Chickamauga and Chattanooga National Military Park, we thought we’d hit the mother lode.  A group of people were out by a row of cannons loading them.  We were all sure we were about to witness the firing of several cannons.  I’m not sure which one of us was most excited.

Unfortunately, it was just a training session for volunteers who would be firing the cannons at a future event.  Today was not the day.

There’s nothing worse than disappointing a child.  I try so hard not to let a child hear me when I make suggestions so they don’t get their hopes up.  I don’t know why I think children shouldn’t have to deal with disappointment–maybe it’s good for them to start preparing young.  I just don’t want to be part of the preparation.

I’m sure I get this from my mother–she was always one to avoid getting our hopes up.  If she thought we might get to do something special, she kept it a secret until the last possible moment.

For example, the year they decided to take us to Disney World, they never mentioned that we might get to go because they didn’t know if there would be enough money to pay for the trip.  I don’t think my brother or I had even dared to dream about going to Disney World because it seemed so far out of reach.

Not until we opened our Christmas presents and found airplane tickets (which had to be explained to us since we’d never been on an airplane) did we have any idea our parents had even considered taking us to Disney World.  To this day, I still remember the excitement of that surprise.

I always appreciated that about them–we always knew we could trust them to deliver on their promises.  It’s something I try to emulate–especially with children.  I don’t want to be that person who gets a child all excited only to find out it’s not going to happen after all.

I felt like our visit was like that a lot for our four-year-old friend.  We didn’t go on a boat ride because the stroller wasn’t allowed on the boat.  We didn’t go on the merry-go-round because wet clothes weren’t allowed and he was wet from playing in the fountains.  And now, the cannons were not actually going to be fired.

I feel like I may be first on the list of people who will disappoint him in his life.

Fresh Eyes

One of the things that my husband and I usually miss out on is experiencing life through a child’s eyes.  This is the consequence of not having children and not usually being around children.  While there are many great reasons not to have children and we have no regrets about that decision, there are times when it’s nice to borrow the perspective of someone else’s child.

Having been to Rock City only for the birds of prey show (which is FABULOUS), it was cool that a visit from some friends who have a 4 year old gave us the opportunity to revisit the place.

We discovered a lot of things we’d missed the first time.  Because that little guy had more energy than I’ve had in a long, long time, making sure we pointed out every possible source of amusement became our passion.  This forced us to notice everything.

For one thing, there is a “Fat Man’s Squeeze.”  Granted, there are many places in the world with a “Fat Man’s Squeeze,”  but watching a four year old creep his way through the tight quarters made this one extra special.

We also noticed the waterfall in a whole new way.  We’d never noticed you could see it from the road.  With a four year old in the back seat, we quickly discovered a whole new view.  He was so excited that we were going that waterfall!  I had to pause and take a new look at how spectacular it really is.

Then there was the rock climbing wall.  Our four year old friend wasn’t big enough to climb, but he sure was excited by his mom’s decision to climb!  We hung around cheering for the other climbers while we waited for his mom’s turn.  I like wall climbing, but I was feeling too hot and sticky to want to attempt it myself.  As a spectator,  I found myself watching novice wall climbers and not just clapping politely for them but really feeling the need for them to make it to the top.  It was pretty inspiring to watch.  Albeit, our four year old friend lost interest about the time his mom made it to the top, but we were fascinated to stay and watch a young girl climb.

Finally, of course, we went to the birds of prey show.  I shot with a wide angle lens trying to include the audience because I wanted to capture the four year old’s reactions.  I admit I was a little disappointed that he often seemed more interested in the gravel under his feet than the birds, but every once in a while he’d look up with curiosity and even a hint of amazement.  But maybe you have to be an adult to realize how special it is to be that close to a bird of prey?

All in all, going to Rock City with a kid made the place feel like a brand new adventure.  Now I can’t wait to go again!

 

Being There

Finally, after much anticipation, the big event–my nephew’s graduation day.  Of course, it wouldn’t be my family if we didn’t have a debate as to the necessity of celebrating high school graduation by going to a ceremony.  My family doesn’t require a reason for a debate.  If there’s a question to be asked, someone asks it.  If Hamlet were my relative, he wouldn’t have asked “to be or not to be.” He would have asked, “I am.  But why?  And is it really all that important?”

In any case, we had a pleasant surprise when Sam and Ellie appeared at the house at about 2PM in the afternoon (they were supposed to be at school).  This afforded us the opportunity to take some more pictures!

We gathered in the front yard and I set up my umbrella stand.  This is when I learned about why photographers own sand bags.  Having been a huge fan of Mary Poppins, I was only disappointed that it wasn’t strong enough to carry me away.

Fortunately, with 8 people standing around, it was much easier to find an assistant than a sand bag.

I went through the standard combinations:  Grad with his girlfriend.  Grad with his grandparents.  Grad with his parents.  Grad with his brother.   I’ve really got to start paying attention to group photos to figure out some better poses–I really am horrible at directing people on where and how to stand.

After finishing up pictures, the grads went on their way and we started getting ready to meet them at graduation.  We had a grand plan with three of us going an hour earlier than the rest to get good seats.  However, I got confused on what time we were leaving and we were 15 minutes late.  Then, we stopped to grab food on the way.  When we got there, the best seats left were up behind the stage.  We had a good view of Sam’s seat, but not of the stage since we were behind it.

Having shot my older nephew at the same place 2 years ago, I decided to try to improve on my shots by adding a teleconverter to my 100-400mm lens to try to get tighter on Sam than I was able to on his brother.  This was a fatal mistake.

I have tried to remind myself when choosing lenses to ask whether light or length was more important.  In this case, both were.  However, the loss of light caused by adding the teleconverter was critical.  Few of the shots taken with it on worked–I had too much motion blur because of too slow a shutter speed.

I was very sad about my failure at getting tighter shots, but I did take the teleconverter off just in time for Ellie’s walk across the stage.

After the ceremony, as we searched for the parked car, the sky was so cool, I had to stop and take a shot while everyone else looked for the car.

Love Looks

While processing the photos of my nephew (alias Sam) and his girlfriend (alias Ellie), I sighed and thought “Aww.  Young love!”  But when I flipped through some recent photos of my brother and my sister-in-law a few minutes later, I realized this had nothing to do with age.  My nephew’s face is just a younger version of my brother’s when they are with their respective partners.

It’s an interesting phenomenon.  Sam looks very little like my brother except when he’s around Ellie.  Then, it’s like his dissimilar features mold themselves into a shape that exactly resembles my brother’s face.  Who knew that falling in love could be hereditary?

But shooting both Ellie and Sam with one small strobe on an umbrella stand and in the confines of the family room proved to be challenging.

First, there was the issue of light.  Lighting one person is much easier than lighting two when there’s only one light.  Getting light on Ellie, sitting furthest from the light, was quite difficult.

This led to the second challenge, depth of field.  Opening up the aperture to try to overcome the shortage of light led to a very shallow depth of field, which led to portraits of one subject with another person in the frame instead of portraits of two people.  However, I still like some of the resulting images.

The need to shut the aperture down a bit to increase the depth of field to get Ellie and Same both in focus increased the problem created by the third challenge.  Because we of where Sam and Ellie were, traffic kept moving in and out of the room behind them.  Of course, some of the best expressions on their faces were in the shots with people behind them.  This led to extensive use of the “blur” brush to reduce the distracting background.  I am not fond of doing that much editing, but it’s my nephew.

It occurs to me that perhaps it would be easier if I could shoot in the same environment more than one time.  It’s hard to master something when there are so many variables changing each time.  But then again, it’s the variables that make it fun.

I think about photographers who have marks on the floor and who have their subjects go through a formula of poses.  I suppose this would be extremely efficient and may even help guarantee that the subject gets a decent portrait, but I don’t know how the photographer keeps from getting so bored s/he stops paying attention.  And what happens if someone comes in who just looks horrible in that particular set of poses?  Do they have formulas for such variables?

If there’s one lesson I’m sure of, I have a hard time paying attention to all the details when I feel rushed.  I guess I need to find someone who really wants to model for me.  And then, I need to take my time.  What’s that old expression?  Haste makes waste?

Safety Portraits

Graduations seem to be a bit more complex than they used to be.  My older nephew graduated on Memorial Day two years ago.  I can see why that might not have been so popular–especially in a suburb right outside of Indianapolis.  Improving upon that plan this year, graduation was on the Thursday before Memorial Day.

However, it was also the last day of the school year.  Graduates were supposed to go from school to graduation and be there at 4PM for rehearsal.  Then, they would be fed dinner while their families arrived and filled the stands.

Following graduation, the graduates return their caps and gowns before being released to join their families.  It wasn’t clear that there would be any opportunity to get a picture of my nephew (let’s call him Sam) in his cap and gown.

So, the night before graduation, we took a few shots in the back yard just in case.  While we were at it, I took a few of my brother and sister-in-law, too.  My sister-in-law is wonderfully easy to shoot–I caught an all-out crack-up with one eye closed in one shot (not shown) and she still looks great.  My brother and nephew are a bit more challenging.  I don’t know why.

As I worked with the strobe on a stand with an umbrella out in the yard, I was reminded of a recent class I attended back in Chattanooga.  The instructor expressed disgust at the cliche shot of a graduate in front of the school sign.  While we were lacking a school sign, I realized I was shooting extremely run-of-the-mill portraits.  But, honestly, I had no idea what else to shoot.

Later, I did some searching for cool shots of graduates.  What I discovered is that the interesting images were either interesting because they were shot in really cool locations or they were so abstract, you couldn’t see the person who graduated.

Given no control over time of day or the location of the shoot and assuming that we all wanted pictures where we could actually tell it was Sam in them, I need more experience to come up with a really creative approach.

As it is, we got some cute shots of Sam in his cap and gown along with some nice shots of my brother and sister-in-law.  And, Tisen had a great time playing ball with whoever wasn’t involved in a shot.

Although, Tisen did have a bit of a run-in with the screen door.  He didn’t realize I had to open two doors to let him out and did a complete face plant into the screen in his hurry to join the party.  Later, when only the screen was closed, I slid it open and he stopped dead in front of the open door, poking with his nose to make sure it was really open.  The dog is not only a fast learner, he can count!