Skin Problems

I have one last story from our wedding/elopement (that always seems like a fake word to me) to share with you and then I will return to current events in tomorrow’s post.

On the day after our “wedding,” we decided to go to Taliesin West–the Frank Lloyd Wright school of architecture that was out in the middle of nowhere the first time I visited  in the early ‘90s.  As of 6 years ago, it was on the outskirts of Scottsdale.  Now, it may be in the middle of downtown.

I like Frank Lloyd Wright buildings when it comes to interesting places to visit.  However, I wouldn’t want to live in one.  For one thing, he apparently sized everything to make himself look taller.  I am tall.  I don’t feel the need to be made to look taller and I don’t really appreciate being forced to duck through doorways just because the man had a complex.  It is a great tour, however.

Only about 5 miles away, McDowell Mountain promised a nice hike in the afternoon, so we took the long route back to the resort and made a stop at McDowell.

Mountains in Phoenix are like miniature versions of the mountains of the Pacific Northwest minus all the foliage and, of course, snow.  Without the trees and snow caps, they resemble acne.  The desert is suddenly, almost rudely, interrupted by a big old brown bump that looks like some sort of underlying infection caused it to swell above the surface of the landscape.  I mean this in the most loving of ways.

While the sudden appearance of these bumps on the landscape might be somewhat odd, one of the great advantages of these isolated, suburban mountains is they afford amazing views across otherwise flat land.

How could we resist making the short drive to one of these pimples to check it out?  Unfortunately, we didn’t really pack hiking clothes.  We had many layers and waterproof jackets/pants for the Grand Canyon tour, but waterproof clothes are really hot.  While it wasn’t scorching hot in Phoenix in December, it wasn’t “wrap yourself in plastic and hike up a mountain” cold.  Having just come from Taliesin West, we were wearing our “good” clothes.  We looked the paved, gently graded trail and decided we would be just fine.

For once, we were right.  Although the climb got a little steep, we managed to make it to the top without sweating through our shirts too badly.

And the views were completely worth it.  It was at that moment I realized why so many people move to Phoenix.  That little pimple makes for quite an overlook!

West is East of East

On our wedding day, we each went through our pre-wedding grooming with anticipation that was surprising considering we’d been living together for 10 years by the time we got married.

Me in my new dress (which Pat helped pick out) and Pat in his new suit (which he’d failed to get tailored, so it gave him a sweet little-boy-in-Dad’s-suit look), we headed towards Mesa.

As a side note, I did not help him pick out his suit.  He thought it was hilarious to not let me see it until the last possible second.  I think he was going for a backwards-themed wedding given that we’d already reversed so many other traditions.

We gave ourselves three times as much time as we’d been told we would need to get to the courthouse.  We had to arrive by 4:50PM so there would still be witnesses there to sign the wedding license.  The judge performed ceremonies after hours.

We made great time, got to the road the courthouse was on with plenty of time to spare, and headed East.  We crossed from W University Dr to E University Dr and started watching for the courthouse.  We got to the spot where it was supposed to be; there was no building with that address.

Puzzled, we turned around and drove back the other way, thinking maybe we had the address wrong and it was really W University Dr.  We got to where the address should should have been and, again, there was no building with that number.

We called the courthouse and they told us they were, in fact, on E University Dr and provided helpful hints for someone who’s never been there like “we’re right next to the intersection where the McDonald’s used to be.”

We turned around, headed back East, and came to the same place we’d been before.  No building had magically appeared.  I called again.  They seemed completely clueless as to where we could be or how to help.  We were starting to panic.  We were running out of time.

On a whim, we decided to keep going East in case there was some weird mis-ordering of addresses or something.  As we continued to go East, E University Dr suddenly became W University Dr again.  This made our heads spin.  I pulled out my glasses to make sure I was looking at the right road on Google maps on my Blackjack (remember those?) fearful we had just gone in a circle without realizing it.  We had not.

We nearly turned around again, but I had the sudden thought that if there were two W University Drives, there must be two E University Drives, too.  So, we kept going East.  And, lo and behold, there was another E University Dr and we found our courthouse just in time.

And that is the story of how I learned West is East of East.

P.S.  Photo Credits on pictures of us go to the Judge who married us–he took pictures with my PowerShot G3 while he was marrying us.

Cliff Driving

I should start this story by saying I’m terrified of heights.  That said, after our mini-adventure at the Grand Canyon, we decided to take the scenic route back to Scottsdale via the Apache Trail.  This is a scenic drive, not a hike.  I use the term “drive” loosely.  Crawl might be more appropriate.

Somehow, in my meticulous planning of our trip and research on the Apache Trail, I failed to understand that a good portion is a 1 1/2 lane wide, two-way dirt road hung on the side of a cliff so steep and high that I couldn’t manage to look down it.  RVs apparently travel this road from time to time.  I’m convinced had I managed to gather the courage to look over the edge, I would have discovered where those RVs end up.

Since I had rented the car with my frequent traveler points and we hadn’t added Pat as a driver (they charge a lot for that), I had the great pleasure of driving in the outside lane with the cliff on the right.  This was OK since I could mostly drive on the left side of the road, leaving a 1/2 car-width gap between us and the edge of the cliff.  However, panic ensued when a car came the other direction.

This required finding a wide spot in the road, pulling as close to the guard-railless edge and stopping while I gripped the steering wheel so tightly my skin melded with the vinyl covering on the steering wheel.  I can’t claim I was the most pleasant person on this drive.

When the second car approached, it didn’t slow down.  It just came barreling at us like we were on some four-lane highway in the desert.  I got as close to the edge as I dared, stopped, and braced for impact.  The car slipped by so close that had our rearview mirrors been at the same height, they would have hit.  I suspect this was a local who takes great pleasure in terrorizing tourists.

At this point, I didn’t care what the rental car policy said.  I got out of the car and informed Pat I was not driving one more inch.

Unfortunately, sitting in the passenger seat next to the cliff where I couldn’t see the edge of the road was not exactly comforting.  It says a lot about my husband that he didn’t drop me off at the Phoenix airport instead of continuing straight to our hotel by the time we got off that road that was never meant to be a road.

The net of this “scenic” drive was that we didn’t get to enjoy the scenery except when we stopped to stretch at the periodic pullouts.  It also took about the same time to drive the dirt stretch as if we were riding mountain bikes.

My advice: follow the lead of the Apache and walk the darn thing!

Like life, it’s beautiful, but best enjoyed as a destination rather than a route.

Honeymooning

Ah, dear readers, you are in trouble now:  I have been digging through my old photos again!  Guess what I dug up?  Yes, it’s my wedding.  Well, more accurately, my honeymoon followed by my marriage.  We don’t often do things traditionally.

We decided to elope.  We, coincidentally, had purchased a special deal on 3 nights in a resort in Scottsdale, Arizona earlier that year and had yet to set a date to use it.  This, combined with the fact that, in Arizona, you can get a marriage license the same day you get married set our destination for us.  The dates available for the resort picked our dates.

I imagined a grand adventure to the Grand Canyon–getting married on an overlook before hiking off into the sunset with our backpacks. Then, a luxurious honeymoon in Scottsdale.

Although I had flown over the Grand Canyon many times, I’d never been to it.  It didn’t occur to me that the rim of the canyon is at high altitude.  As I started planning the trip, I soon learned that not much is open at the Grand Canyon in December.

That’s why we ended up doing the honeymoon part of the trip first.

In the end, we drove from the Phoenix airport to Williams, passing through the mountains over icy roads in a snowstorm that seemed to have appeared from nowhere compared to the weather we’d left behind.

We spent the night on Route 66 in a “Honeymoon Suite” Caboose.  It sounded romantic when I booked it.  If you’re looking for a recommendation, I’d say it would be a great place to stay when the outdoor temperature is perfect for sleeping.  Turns out an old caboose has zero insulation and . . . you guessed it . . . it’s made of metal.  You can imagine how thermally efficient that was on a night when it was way below freezing.  Let’s just say it became clear to me why they called it the honeymoon suite (refer to hypothermia survival tactics if you’re confused).

In the morning, we took the train up to the Grand Canyon.  However, we had to make a quick stop at a local general store first.  This is how the discussion went:

Pat:  “You can’t wear your hiking sandals and socks in the snow!”

Me:  “It’s all I brought when we decided we weren’t going to backpack.  I’ll be fine.”

Pat:  “Let’s just get you a pair of snow boots before we get on the train.”

Me:  “Snow boots!  The train leaves at 7AM!  Where are we going to find a pair of snow boots in the off-season in a tourist town at 6:30 in the morning???”

Pat:  “I’m sure there will be a place open.”

Me:  “Why would anyone be open at 6:30 in the morning???”

(This was a pre-coffee conversation.)

Believe it or not, there’s a general store in the middle of Williams that’s open at 6:30AM who sells snow boots in December.  Go figure.

HDR Life Lessons

Between “feeling puny” (as a former relative used to say) and being caught off guard by the early sunset (I somehow failed to notice that the sunset an hour earlier yesterday), I didn’t make it out to do a new shoot today.

But, never fear!  I have new photos to share.  I did a series of 5 exposures each of two compositions from the balcony at the same time I shot the images I posted yesterday.  These were just taken later in the shoot.

I included 3 images for comparison for each composition.  The first is exposed based on what the camera thinks is the correct exposure.  The second is under exposed by 1 stop.  I included the second image because I am particularly drawn to the high contrast of post-sunset skies at this exposure level.  To me, it looks the most like reality.  However, the buildings and landscape features get completely clipped at this exposure and I’d like to have a more detail in the landscape below the sky.

Since I shot 5 exposures, I thought I’d give HDR a try.

Even when I was shooting the 5 exposures, I knew HDR was going to be a long shot.  Literally.  By the time I got to the over-exposed images, the exposure times were multiple seconds.  The wind was blowing at about 15 miles per hour on the ground and who knows how fast higher up.  I could stand there and watch the clouds moving faster than a multi-second exposure.  Rapidly-moving clouds blur in long exposures.  Even the under-exposed image shows some blurring; the over-exposed images turn the clouds into undefined wisps.

But, I’m slightly feverish, so I have a good excuse to think it might create something interesting anyway.  I selected the options to remove ghosts and noise and to align the images when I processed the 5 exposures.  The third image is the result.

Photomatix got confused when it tried to align things and remove ghosts because of the differences in the amount of blurring between the multiple exposures.  So, the really dark clouds turned into floating dark blobs.  It actually did a better job than I predicted, so kudos to Photomatix.

The second series of photos is a different composition, but otherwise the same as the first series.  Same results.

I guess today’s life lesson from photography is that even though a camera can capture many moments in a single image and HDR processing can multiply that effect, sometimes we really are better off just enjoying each moment individually.

As a side note, Nurse Tisen seems to be ready for retirement.  Moving from the couch back to my office chair has him convinced I’m no longer in need of special attention. It was all I could do to keep him at a normal walking pace when I took him outside today.  Tomorrow he’s going to doggie daycare so he can run around.

Balcony Shooting

On weekends like this one, I’m grateful I have a view from the balcony. Although I’m a bit overloaded on shots like these, having been the sickest I’ve been in a lot of years all weekend, I don’t know what I would have had to post today had it not been for this wonderful view.

Granted, I found myself really wanting to move the building across the street (or at least run up to the roof to shoot over it).  But, since I was barely standing up straight and the sun was setting quickly, it seemed improbable that I would make it up to the roof in time.  And, since I am not embodied with any superpowers that might allow me to move a building even on the best of days, there wasn’t much point in contemplating that possibility.

One effect of shooting from the balcony with the building across the street in the foreground is the extreme distortion that occurs, making the building seem like it’s bending towards the center of the frame.  This is a consequence of using a very wide angle lens and being so close to the building.

I used the-built-in level to make sure I was shooting straight (I do try to be a straight shooter), but the distortion was so great that I ended up changing the angle slightly in post-processing to try to make it look a little straighter.

These are also processed using HDR. Each image is actually a combination of 5 images with 5 slightly different exposures.  This allows me to get some of the detail in the buildings in the foreground at the same time I have the detail in the bright parts of the sky.  I’m starting to like HDR for these kinds of images the more I get used to it.

Tisen, it turns out, is a great companion for someone who is sick.  He was quite content to cuddle on the couch with me for endless hours.  He likes the down comforter and the animal print pillow almost as much as he likes me.  On the rare occasions when I made it off the couch, he would just lie there like he was in heaven.  Unfortunately, I was only able to get a blurry shot of him.  I’d blame it on being sick–couldn’t hold the camera steady–but I think most of my iPhone images of Tisen are blurry, too.

If I were guessing, I would say that Tisen feels needed.  He makes a great heating pad and seems to know just where to cuddle up against me to make me feel better.  I had no idea when I brought him home that he would some day be a nurse.  If he could take himself out for walks and feed himself, too, he would be perfect at it.

When the Moon Runs Late

Moon, you travesty.

You promised you’d meet me.

Yet here I stand, blasted by the wind.

The sun has said its farewells.

Perhaps you saw me staring after its orange light.

But I am just waiting for you.

Killing time in the last of today’s beams,

waiting for you to reflect the day back to me.

Can it be helped that you have no light of your own?

That’s no excuse to be so late.

 

The moon rose over 30 minutes later than it was supposed to on the night of the full moon.  This happens because the moonrise time is at sea level and the mountains that surround Chattanooga result in delays.

When at last the moon did arrive, it wasn’t where I expect it to be.  I was in position to shoot about 90 degrees from where the moon actually rose.  This resulted in me being in a bad position with a telephone pole between me and the moon.

Ironically, after waiting 30 minutes for the moon to rise, the time the moon appears to the time it’s above the horizon is only a matter of minutes.  I did manage to calm myself down long enough to carry my tripod further down the roof so I wouldn’t have the telephone pole so prominently in the shot.

Not my best moonrise shoot ever.  Maybe next month.

 

You Get What You Pay For

Remember what it was like to be really scared?  Scared when you knew there was nothing to be afraid of, but you were scared anyway?  What is it that’s fun about that?  Yet we seek it out from the time we’re little.

Like hide-and-seek.  We know the people are out there, but when we find them, we’re often startled or even terrified when at last we stumble across those we seek.

Going to a Halloween haunt is a return to our childhood roots.  We know we are safe.  We know no one is going to hurt us.  Yet we go to be scared.  There’s an underlying hysteria to the whole process of gearing up for a haunt.

It starts with the gathering of the group.  And the group psychology is important to the whole experience.  There’s an optimal group size.  If the group is too big, there’s too much safety in numbers.  You can hide in the middle of the bunch.  If the group is too small, the contagious nature of fear is lost.  I think 4-6 people with a couple of total scaredy-cats is perfect.

It’s small enough that the fear of 2 can spread to the rest of the group vs. the swagger of several buoying up the rest of the group’s courage.

And, let’s be honest, as much as I hate to admit it, there’s a gender difference.  We women haven’t spent our live pretending to be brave.  We’ve been taught to be afraid for our safety in so many subtle ways; we’re more likely to be startled, frightened, and even terrified than our male counterparts.

We’re also more likely to fully enjoy the experience of a haunt.  This is also true of children–the younger, the more disbelief is suspended.

I ponder the attraction of being scared.  It’s a reminder of our vulnerability, a feeling of helplessness.  Why do we enjoy this feeling of not knowing what’s going to jump out at us?  Is it the rush of having experienced terror and having survived?  Is it significantly different from the rush of thrill seekers who sky dive, climb Mt. Everest, or go cave diving?

These images were taken on the haunted trail at the Acres of Darkness event.  I was hidden in the shadows, waiting for the moment when the victims were suddenly startled by the various actors on the trail.  While I can’t claim there great images in terms of lighting, framing, or composition, they captured a moment of true fear for at least some of the guests.

I laugh when I look at their faces.  I laugh because of the complete abandon of their expressions.  Is it macabre of me to enjoy having captured fear?  In my own defense, if they would have been in real danger, it wouldn’t be funny to me.  But these are “we got you!” moments.  They came to be scared and they were.

It’s photographic evidence that the haunt achieved what the audience paid for.

Haunted

What would a haunt be without some haunting?  This was another idea I had while shooting the Acres of Darkness event.  I know I’m not going to have people begging to buy prints, but the entertainment value of creating “ghosts” in images is priceless.

For the second time in one night, photography served not as an art form but as a game.  I’m beginning to think I’ve found my niche–I may not be an artist, but I’m pretty entertaining.  😀

I managed to recruit the subjects to play “ghost.”  This required no acting.  It simply required standing still and moving on command.  By having the subject pause periodically and then move a few steps slowly and then pause again, we created a see-through ring of a ghost image of the subject.

People are amazed by this effect.  In fact, I am amazed by this effect.  No matter how many times I do this, I am still amused.

I learned a few things from this little experiment (OK, so maybe this should be obvious):

  1. People wearing light colors show up a lot better in a really dark image than people wearing dark colors.
  2. This effect only works well if there is enough ambient light to create a clear outline of the subject.
  3. To create a single image of a ghost-person, have them stand still in the frame for about 1/3 of the total shutter time and then walk out of the frame really fast.
  4. To create a trail of ghost images, they need to take two steps forward slowly, pause for about a 3-count (with a 30-second shutter speed), and repeat until the shutter closes.

The last image was an accident.  But, it seemed fitting with the theme, so I kept it.  It might just be a technique I want to try again someday. 🙂   I took a shot of the 3 kids using my flash, but I’d forgotten to change the settings on my camera from when I was shooting the previous images with a 30 second shutter speed.

So, my flash went off, creating a solid and clear image of the kids, but then my shutter was still open and I was waving my camera all over the place while I was talking to the kids, explaining that I needed to retake the shot but I had to wait for 30 seconds (this seems to be a difficult concept).  While I was waving my camera around, it picked up on the different things I pointed it at just enough to create the “fog” over the image.  I am not sure what the bright light at the top is, quite honestly.  Might not be able to recreate that part.  The next time I want to add fog to a scene, I might just give this a try!

Today’s life lesson from photography:  sometimes doing something just for the fun of doing it is more satisfying than worrying about the end results.

Show Me Terror

While shooting the Acres of Darkness haunt, I wanted to get shots of people while they were waiting in line.  This was truly shooting in the dark because I literally could not see them in the view finder at all.  Unfortunately, I had a single flash unit attached to my camera and was trying to light groups of people, so it was a bit tricky.  The lighting is, well, shall we say “not dramatic”?  But, the assignment for this series of shots was fun and the participants nearly made up for the bad lighting.

The assignment I came up with for the attendees was to show me their most scared face.  I asked each group waiting in line to show me absolute terror.  I got some mixed results, but overall, I was impressed with much of the acting!

Some people were immediately into it.  Like the ladies in the 3rd shot.  They really got a kick out of how scared they could look.  We actually did 3 shots because they were having so much fun.

The larger groups were fun because they would have some people who were really into it and others who really just wanted me to go away.  Like the family in the 8th image–the teenage girl in the background looking utterly bored spoke volumes about adolescence.

But even some of the pairs were a 50/50 mix on willingness to act.  One of my personal favorites is the 6th shot where the guy is totally acting scared and the girl is looking like she’s not really sure she wants to be seen in public with this guy.  Made me wonder how long they’d been a couple and how much longer it would last.  🙂

Then, there’s the image immediately after that one with the three guys.  The one on the far left said he imagined he was writing an alimony check to inspire his expression.  I thought he looked more like he’d had an accident in the restroom, but I appreciated his effort.

The two young girls in the 11th image cracked me up.  The one on the left gave a pretty realistic scared look.  The one on the right, who appeared to be the younger of the two when seen in person, seemed to think throwing up her hands was all it took to look scared.  Maybe she has yet to experience real fear?

This assignment, by the way, only worked well because I could show the subjects their picture immediately on the LCD of my camera.  They looked at the result and immediately wanted to try again to make it even better.  They all laughed and made fun of each other’s faces in the shots.  Who knew photography could be so entertaining for the subjects?

Afterwards, I had several people approach me and ask if there was somewhere to view the photos so they could decide if they wanted to buy them.  Maybe next year.